»Zum Einstieg hier ein Zitat. Sant sita vellest optas volorenat quibus alutiam.«
— Šejla Kamerić
»Zum Einstieg hier ein Zitat. Sant sita vellest optas volorenat quibus alutiam.«
— Šejla Kamerić
Šejla Kamerić is known for her multi-disciplinary approach, including photography, film, objects, drawings, and installations. She has received widespread acclaim for the poignant intimacy and social commentary that have become the main elements of her work. Taking up subjects that arise from non-linear historical narratives, as well as personal
histories, Kamerić focuses on the politics of memory, modes of resistance in human life, and the consequential idiosyncrasies of women’s struggle. By insisting on empathy as the founding communicative mechanism between herself, her subjects, and spectators, Kamerić both warns of and creates places of power and political arenas.
Born 1976 in Sarajevo, Bosnia and Herzegovina
Lives and works in Sarajevo and Berlin
1996
Academy of Fine Arts, Sarajevo
2021
Falkenrot Award
2011
Routes Princess Margriet Award
2008
Best Fiction Film Award, 15th Adana Film Festival
2007
DAAD Artist in Residency Fellowship, Berlin
Best Short Film Award, 5th Zagreb Film Festival
2005
Special Award, 46th October Salon, Belgrade
2004
ONUFRI Award, National Gallery of Arts, Tirana
2024
Firstborn
Museum of Contemporary Arts of Montenegro, Podgorica
PERFECT TENSE
Cukrarna Gallery, Ljubljana
CEASE | Public Project
Campo Santo Stefano, Venice
2023
Rose Garden
Contemporary Art Gallery, Subotica
2022
Bosnian Girl
Tate Modern, London
We Come With a Bow
The National Gallery of North Macedonia, Skopje
RETROSPECTING
Galeria Tanja Wagner, Berlin
We Come With the Bow
KRIK & Tiiit.Inc, National Gallery of Macedonia, Skopje
Mother Is a Bitch
Eugster Gallery, Belgrade
Burn by Staying Cool
Kunsthaus Dresden, Robotron-Kantine, Dresden
2021
LAMED VAV – Not Enough | Traces of Humanity | Bayeux Calvados – Normandy Award
Hotel du Doyen | Public space, Bayeux Cedex
Bosnian Girl
Gallery 11/07/95, Sarajevo
Hooked
KRAK Center for Contemporary Culture, Bihać; Realstage Association, Sarajevo; Obala Art Center, Sarajevo; Our Children Association, Zenica
2019
We come with a bow
Galerie Tanja Wagner, Berlin
2018
SUMMERISNOTOVER
Fondazione Adolfo Pini, Milan
I Really Really Really Really Really
KIBLA, Maribor
KEEP AWAY FROM FIRE
Gesellschaft für Aktuelle Kunst, Bremen
2017
CONFIDENCE POWER PLUS
Galerie Tanja Wagner, Berlin
2015
When the heart goes bing bam boom
Arter, Vehbi Koç Foundation, Istanbul
Šejla Kamerić
etc. gallery, Prague
Position Absolute
Galerie Tanja Wagner, Berlin
30 Years After
National Gallery of Kosovo, Prishtina
2014
1395 Days Without Red
Metcalf Auditorium, Chace Center, RISD MUSEUM, Providence
SUMMERISNOTOVER
Galerija Kortil, Rijeka, Croatia
SUMMERISNOTOVER
public intervention, Sarajevo
Movie night Šejla Kamerić
Sarajevo War Theater, Sarajevo
Ex Oriente Film + REFINERI, Rijeka
2013
June is June Everywhere
Galerie Tanja Wagner, Berlin
Apollo: First war cinema
Open air cinema Metalac, Sarajevo
Tribute to Šejla Kamerić
Festival autorskog filma (FAF), Belgrade
2012
Šejla Kamerić
CAC Contemporary Art Center, Vilnius
1395 DAYS WITHOUT RED
Agora Center, Rafagas festival, A Corona
1395 DAYS WITHOUT RED
Museum of Contemporary Art, Belgrade
1395 DAYS WITHOUT RED
Kunsthaus Graz
, Graz
1395 DAYS WITHOUT RED
Open air cinema Metalac, Sarajevo
1395 DAYS WITHOUT RED
Sharjah Art Foundation
, Sharjah Art Museum, Sharjah
Glück and 1395 DAYS WITHOUT RED
Cultural Centre Dom Omladine, MSUM, Festival Dani Sarajeva, Belgrade
1395 DAYS WITHOUT RED
(Kosovo premiere) The Kosova Art Gallery, Priština
A retrospective of selected video and film works
MSUM Museum of Modern Art, Ljubljana
2011
1395 DAYS WITHOUT RED
MACBA, Barcelona
1395 DAYS WITHOUT RED
Zagreb Film Festival, MSU Museum of Contemporary Art Zagreb, Zagreb
1395 DAYS WITHOUT RED
Manchester Film Festival
MFI, Manchester
1395 DAYS WITHOUT RED
ArtAngel, London
1395 DAYS WITHOUT RED
Sarajevo Film Festival, Sarajevo
Glück
Eastern Neighbours Film Festival, Utrecht
Glück
Villa Elisabeth, Berlin (screening)
Galerie Tanja Wagner, Berlin
Šejla Kamerić
Camera Austria, Graz (with Tatjana Lecomte)
2010
Retrospective cinéma
Centre Pompidou, Paris
No More Drama
Röda Sten Centre for Contemporary Art and Culture, Göteborg
Moonlighting
Wip: Konsthall, Stockholm
Galerie Krobath, Vienna
2009
What Do I Know
FILMHUIS DEN HAAG, Den Haag
2008
Galerie im Taxispalais, Innsbruck
Particle or more
Moria Gallery, Hvar
Is it rain or is it a hurricane
Emil Filla Gallery, Ústí nad Labem
What Do I Know
DAAD Galerie, Berlin
2007
Mit tudok / What Do I Know
Trafo – House of Contemporary Arts, Budapest
What Do I Know
OK Center for Contemporary Art, CROSSING EUROPE – Film Festival, Linz
Sometime, Never and Maybe
public project, Sarajevo/Berlin
Dream House
Literaturhaus, Salzburg
2006
Brand New
The Kosova Art Gallery – Museum Pristina and EXIT Gallery, Pristina
The Final Sale
Karver, Podgorica
2005
Another Expo – Beyond the Nation-States
Gallery SOAP, Kitakyushu
Untitled
Gandy Gallery, Prague
Closed
National Gallery of Bosnia and Herzegovina, Sarajevo
2004
Others and Dreams
Portikus, Frankfurt/M.
FREI
public intervention; club transmediale 0.4 – (fly utopia!), festival for electronic music and related visual art, Berlin
2003
Bosnian Girl
public project (posters, postcards, billboards, advertisements in magazines and newspapers)
WARRANT
public intervention (poster), Schauspielhaus, Vienna
2002
Closing the Border (Welcome to the ancient land of freedom)
public intervention; border crossing between San Marino and Italy
2001
homeSICK
public intervention (work in progress, started in 2001)
Fortune Teller
public intervention, Sarajevo
1999
Before Beginning
video projection; Obala Meeting Point, Sarajevo
For My Sake
installation in front of the Academy of Fine Arts, Sarajevo
1998
Plug
installation; Obala Meeting Point, Sarajevo
2024
Group Therapy
Stone Bell House Prague City Gallery, Prague
Lichtparcours
Kunstverein Braunschweig
The Bird Show
ERES Stiftung, Munich
Sounds Like a Whisper
SOFIA CITY ART GALLERY, Sofia
Her Barbaric Luxury
Trotoar Gallery, Zagreb
2023
5 Jahre Office Impart Show
Office Impart, Berlin
Darker, Lighter, Puffy, Flat
Kunsthalle Wien, Vienna
Between the Lines
Galerie Tanja Wagner, Berlin
Lucid Dreams
The Israel Museum, Jerusalem
There is much to do – Strategies for artistic resistance
Felix-Nussbaum-Haus, Osnabrück
Cultural Fabric: Rereading the Relationship Between Art and Fashion Practices
Fotografiska Berlin, Berlin
Bosnian Girl
Fort Liezele, Brugge
Domesticated Abyss
Display, Prague
Cultural Fabric: Rereading the Relationship Between Art and Fashion Practices
Fotografiska Berlin
Wer Wir Sind
Bundeskunsthalle, Bonn
WHEN THE FIREBIRD FLIES
Kunstverein Meißen
Vidéothèque
Galerie Tanja Wagner
THE F* WORD Untertitel Guerrilla Girls und
feministisches Grafikdesign
Museum für Kunst & Gewerbe Hamburg, Hamburg
She Said
Cccccoma, Berlin
2022
General Alert: Wars That Have Never Ended
Kontakt Collection, Vienna
NORDOST SÜDWEST
Kunsthaus Dresden, Dresden
Faking the Real
Kunsthaus Graz, Graz
Urban Text: This Space Called Balkans
Institut des Cultures d’Islam (ICI) Paris, Paris
On Equal Terms
Uferhallen, Berlin
Empowerment
Kunstmuseum Wolfsburg
Manifesta 14, Prishtina
Urban Text
Institut des Cultures d’Islam, Paris
Faking the Real
Kunsthaus Graz, Graz
Sad Songs of War
Museum of Contemporary Art, Zagreb
Northeast Southwest
Kunsthaus Dresden, Dresden
City of Women
Gallery Škuc, Ljubljana
HOT MESS
Kühlhaus, Berlin
MITbeSTIMMEn
Galerie Nord, Berlin
The Hilger Collection, City Art Gallery, Ljubljana
Politics in Art
MOCAK Museum of Contemporary Art In Krakow
Macht! Licht!
Kunstmuseum Wolfsburg
Traverser la nuit – works from Antoine de Galbert Collection
Central Tejo, Lisbon
Weltenwanderer. Zeitgenössische Kunst aus der Schenkung Sammlung Hoffmann
Kaisertrutz of the Kulturhistorisches Museum Görlitz
Construct Your Stories II | Falkenrot Prize 2022
Künstlerhaus Bethanien, Berlin
2021
The time has come to talk of many things…
Works from Art Collection Telekom
National Gallery – The Palace, Sofia
Diversity United. Contemporary European Art. Moscow. Berlin. Paris.
New Tretyakov Gallery, Moscow
See Me Moving Placeless
Museum of Contemporary Art, Skopje
Die ganze Wahrheit
MARTINETZ, Cologne
Traces of Humanity | Bayeux Award Calvados – Normandy
Hotel du Doyen, Bayeux Cedex
A Time to Embrace and to Refrain | The 6th Ural Industrial Biennial of Contemporary Art
Ural Branch of the National Center for Contemporary Art, Ekaterinburg
1999, It was us that scorched the sky
Eugster || Belgrade, Belgrade
Diversity United. Contemporary European Art.
Moscow. Berlin. Paris.
New Tretyakov, Moscow
Flughafen Tempelhof, Berlin
2020
HOW TO HUMAN
Galerie Tanja Wagner, Berlin
Empört euch!
Museum Kunstpalast, Dresden
Studio Berlin
Berghain and Boros Foundation, Berlin
I guess I die another day
CCCCCOMA CHAPEL, Berlin
Keeping the Balance
Ludwig Museum Budapest, Budapest
Spring of 2020
Galerie Tanja Wagner, Berlin
SO WIE WIR SIND 2.0
Weserburg | Museum für moderne Kunst, Bremen
REQUIEM
Kunsthaus Dresden, Dresden
2019
1395 Days Without Red
Monitor, Izmir (Screening)
4th Herbstsalon
Maxim Gorki Theater, Berlin
2nd Coventry Biennial of Contemporary Art
The In-Between State of Mind
Easttopics Festival, Budapest
The Warmth of Other Suns: Stories of Global Displacement
Phillips Collection, Washington, D.C.
30 ANS APRES | Œuvres de la Art Collection Deutsche Telekom
Carré d’Art – Musée d’art contemporain, Nimes
LISTEN TO US – ARTISTIC INTELLIGENCE | Works from Art Collection Deutsche Telekom
Plovdiv 2019 – European Capital of Culture, Plovdiv
SO WIE WIR SIND 1.0
Weserburg | Museum für moderne Kunst, Bremen
Europa Endlos
Kunsthal Charlottenborg, Copenhagen
STATES OF FOCUS
Wroclaw Contemporary Museum, Wroclaw
WHAT ARE WE MAKE OF? Werke aus der ArtCollection Telekom
Kunsthalle Darmstadt, Darmstadt
2018
Shifts
WTF Gallery, Bangkok
Österreich 1918 – 2018
Haus der Geschichte Österreich, Vienna
Der Wert der Freiheit
Belvedere 21, Vienna
Walls and Bridges
Lauba – People and Art House, Zagreb
Walls and Bridges
Five Tower Gallery | Motovun Film Festival, Croatia
The In-Between State of Mind
36th Asolo Art Film Festival, Asolo
1395 DAYS WITHOUT RED
Moving Image Gallery at Bury Art Museum & Sculpture Centre, Bury
All that We Have in Common
Museum of Contemporary Art, Skopje
I AM THE MOUTH – Works from Central and Eastern European Artists from Art Collection Telekom
Museum of Contemporary Art Zagreb
2017
Gebrochene Welten
Kunstverein Gera
Half-Truth
Krolikarnia, Warsaw
Islam, it’s also our history!
TEMPORA, Brussels
TO DIE OUT LAUGHING
Museum House of Humour and Satire, Gabrovo, Bulgaria
Identification – Field exercises after Katalin Ladik
La Box, ENSBA, Bourges, France
Dejima. Konzepte von Ein- und Ausschluss
Gesellschaft für Aktuelle Kunst, Bremen
The Restless Earth
La Triennale di Milano organized by the Fondazione Nicola Trussardi, Milan
of Sound and Movements
Videobox Festival, Le Carreau du Temple
LEARNING FROM BIG MISTAKES
Galerie Tanja Wagner, New York
Identification – Field exercises after Katalin Ladik
acb Gallery, Budapest
2016
Hannah Ryggen Triennal
Trondheim, Norway
The World Rearranges Itself Around You
Galerie Zimmermann Kratochwill, Graz
As If, At Home – Artists in Europe
BOX Freiraum, Berlin
Shape of Time – Future of Nostalgia
National Museum of Contemporary Art, Bukarest
South by Southeast. A Further Surface
Times Museum, Guangzhou, China
The Big Other
Galerie Tanja Wagner, Berlin
2015
Forensics: The Anatomy of Crime Forensics: The Anatomy of Crime
Wellcome Collection, London
Remember Lidice
Edition Block, Berlin
Autonomy of Self – Rejecting violence with the lens in former Ottoman territories
P21 Gallery, London
Remember Lidice
Edition Block and Lidice Museum, Berlin/D and Lidice/CZ
Vidéothèque
Galerie Tanja Wagner, Berlin
(44th) International Film Festival Rotterdam
Official selection – As Long As It Takes: Short, World Premier, Rotterdam, NL
SHARE – Too Much History, MORE Future
Museum of Contemporary Art Republika Srpska, Banja Luka, BIH
National museum of Montenegro, Cetinje, ME
Rainproof ideas & more
Edition Block, Berlin
Intimate Transgressions Project
International touring contemporary art exhibition, CAPA and Whitebox Art Center, New York, USA
Love on the Edge
Galeria Arsenal, Bialystok, PL
Thursday
CPH:DOX, Copenhagen
2014
Rainproof ideas & more
Edition Block, Berlin
SHARE – Too much history, MORE Future
Museum Moderner Kunst Kärnten
SUMMERISNOTOVER
Nothing is the same anymore, Bihać
Decoding – Contemporary Art in Bosnia and Herzegovina
The National Museum of Montenegro, Montenegrin Art Gallery Miodrag Dado Đurić, Cetinje
A Paradise Built in Hell – Das 16mm-Filmformat im Kontext aktueller Bildproduktion
Kunstverein Hamburg
What do I know
DOK Filmfest, Leipzig
Fragile Sense of Hope
ACT – Art Collection Telekom
me Collectors Room Berlin
Sarajevo 1914-2014: ONE Century Revisited in three acts
Austrian Cultural Forum New York (ACFNY), New York
Memory Lane
Galerie du Jour agnès b., Paris
Decoding – Contemporary Art in Bosnia and Herzegovina
The National Museum of Montenegro, Cetinje
Exhibition at the State Parliament of Bosnia and Herzegovina, Sarajevo
SHARE – Too Much History, MORE Future
National Gallery BiH, Sarajevo
Moderna Galerija/Metelkova, Ljubljana
Cultural City Center Belgrade
Museum of Contemporary Art, Zagreb
Austrian Gallery Belvedere/21-Haus, Vienna
Art Has No Alternative (An Archive of Artists in Action)
tranzit Bratislava
Something in Space Escapes Our Attempts at Surveying
Württembergischer Kunstverein, Stuttgart
EGO EDITIONS
Galerie Tanja Wagner, Berlin
2013
1395 Days without Red
Tokyo Metropolitan Museum of Photography, Tokio
Culturescapes Balkans 2013
Cinélux, Geneve
Neues Kino, Basel
Kino Kunstmuseum, Bern
Kino Riffraff, Zürich
Inspirational forum, Ji.hlava
International Documentary film festival, Jihlava
2012
RÁFAGAS
Agora Center, A Coruña
The common which no longer exists
Künstlerhaus, k/haus Galerie, Vienna
Gwangju Biennale, Korea
Discussing Metamodernism
Galerie Tanja Wagner, Berlin
Be realistic – demand the impossible
Graz, Sarajevo
Film/Video Program
Moderna Museet, Stockholm
La La La Human Steps: A Selection from the Collection of Museum Boijmans van Beuningen
İstanbul Modern Art Museum, Istanbul
The Poster Show
Carlier Gebauer, Berlin
Art Brusseles 2012, Brussels
Crossing Europe Filmfestival
Linz
It doesn’t always have to be beautiful, unless it’s beautiful
Art Gallery of Kosovo, Pristina
Marrakech Biennale, Marrakech
2011
Berliner Zimmer
MNAC Goethe Institut Bucharest, Bucharest
Berliner Zimmer
National Gallery of Bosnia and Herzegovina, Sarajevo
MNAC Goethe Institute Bucharest
Art in Embassies
U.S. Department of State, U.S. Embassy Sarajevo, Sarajevo
Rhythmic Exercises
BWA SOKÓ Gallery, Nowy Sacz
Phantasie an die Macht – Politik um Künstlerplakat
Museum für Kunst und Gewerbe, Hamburg
Berlin Passage – Artists from Southeastern Europe living in Berlin
Macedonian Museum of Contemporary Art, Thessaloniki
2010
Glück
8th Zagreb Film Festival, Zagreb
Prospectif cinéma
Centre Pompidou, Paris
Architektur und Körper
Galerie Krobath, Berlin
Die Tür geht nach Innen auf.
Galerie Tanja Wagner, Berlin
17th Sarajevo Film Festival
Short Film Competition Programme, Sarajevo
Glück happens
Kunstpalais, Erlangen
Squatting
Temporäre Kunsthalle, Berlin
On the Eastern Front – video art from central and Eastern Europe 1989–2009
Ludwig Museum – Museum of Contemporary Art, Budapest
The Past Is a Foreign Country
Center of Contemporary Art ‘Znaki Czasu’, Torun
20th anniversary of KulturKontakt Austria
Gallery ArtPoint, Vienna
Projected Visions
Apollonia, Strasbourg
2009
Gender Check
– Femininity and Masculinity in the Art of Eastern Europe
Museum of Modern Art (MUMOK), Vienna
ZEIGEN. An Audio Tour Through Berlin
Temporäre Kunsthalle, Berlin
Access All Areas – a drawing exhibition
Galerie Max Hetzler, Berlin
Pièces de résistance: Forms of resistance in contemporary art
Kunstmuseum Thun, Thun
MONSTER
Motorenhalle – Project Center of Contemporary Art, Dresden
A Pair of Left Shoes
Museum Bochum, Bochum
Rohkunstbau XVI, ATLANTIS I – Hidden Histories – New Identities
Schloss Marquardt, Potsdam
Windows upon Oceans – 8. Baltic Biennial of Contemporary Art
Muzeum Narodowe w Szczecinie, Szczecin
Tri Postal: SCÈNES CENTRALES
Lille3000, Lille
Who killed the painting? Works from the Block Collection
Neues Museum Weserburg, Bremen
10 YEARS OF
< rotor >, Graz
Nichtorte, Orte. Collection Exhibition
gfzk – Museum of Contemporary Art Leipzig, Leipzig
Transitland
The Red House Centre for Culture and Debate, Sofia
Land of Human Rights
Rotor Gallery, Graz
2008
Cutting Realities – Gender Strategies in Art
Austrian Cultural Forum, New York
Tales of Time and Space
1st Folkestone Triennial, Folkestone
15th Adana Altın Koza Film Festival
Mediterranean Short Film Competition
TIEFENRAUSCH
OK Center for Contemporary Art, Linz
30th Clermont – Ferrand Short Film Festival
In competition, Labo
Cabinet of Imaginations
Netwerk – Center for contemporary art, Aalst
You & Me, Sometimes…
Lehmann Maupin Gallery, New York
PLACE IN THE HEART
Arsenal Gallery Bialystok, Bialystok
Why here is always somewhere else
Badischer Kunstverein, Karlsruhe
BIENNALE CUVÉE
- WORLD SELECTION OF CENTEMPORARY ART
OK Center for Contemporary Art, Linz
VIDEOFORMES vidéo et nouveaux médias dans l’art contemporain Clermont – Ferrand
49th October Salon
Belgrade
Shifting Identities – (Schweizer) Kunst heute
Kunsthaus Zürich, Zurich
Schengen Women
Skuc Gallery, Ljubljana
2007
64th Venezia Corto Cortissimo
competition of the 64th Mostra Internazionale, D‘Arte Cinematografica, Venice
“There is no border….”
Galerie im Taxispalais, Innsbruck
5th Zagreb Film Festival
Short Film Programme, Zagreb
13th Sarajevo Film Festival
Sarajevo, National premiere
ARTEMARE festival
Short Films competition, Bastia
History Started Playing With My Life
The Israeli Center for Digital Art, Holon
La Nuit des Musées
Musée d’art moderne de la ville de Paris, La Fée Electricité by R. Dufy, Paris
L‘enfer, C‘est les Autres / ‘Hell is… other people’
Stedelijk Museum Bureau Amsterdam, Amsterdam
INBETWEENESS
Ex Carceri del Complesso di San Michele a Ripa, Rome
THIS IS NOT A FAIRY TALE
Tirana Institute of Contemporary Art, Tirana
FRAI
Galleri Susanne Ottesen, Copenhagen
Land Grab
Apexart, New York
Vocal Verbal
Gallery SC, Zagreb
Between Borders
MARCO, Museo de Arte Contemporánea de Vigo, Vigo
Sarajevo – Memory and Communication
Shiga Art creation hall, Shiga-pref, Shin-bi, Kyoto
THE COLLECTOR’S ART, The Twentieth and Twenty-first Century in Private and Corporate Collections in Düsseldorf
Museum Kunst Palast, Düsseldorf
2006
Zones of Contact
15th Biennale of Sydney 2006, Sydney
Sweet Taboos: A Mini Tirana Biennial in NYC
Apexart, New York
8372 NISU DOŠLI
Mimara Museum, Zagreb
NORMALIZATION
Rooseum Center for Contemporary Art, Malmö
Kontakt
The Art Collection of Erste Bank-Group at the Museum of Modern Art (MUMOK), Vienna and at the transit workshops in Bratislava
On Difference #2
Stuttgarter Kunstverein, Stuttgart
PERSONAL STORIES
An exhibition in the framework of the European Forum Alpbach, High School, Alpbach
2005
CONFLICT: Perspectives, Positions, Realities in Central European Art
Slought Foundation, Philadelphia
TABOO
Tirana Biennale, Tirana
51st International Short Film Festival Oberhausen
International Competition, Oberhausen
History starts playing with my life
National Gallery, Pristina
Displaced
Neuer Berliner Kunstverein (NBK), Berlin
Another Expo – Beyond the Nation-States
June 2005: Gallery Level1, Kitakyushu
September 2005: Gallery White Box, New York
GUARDAMI
Percezioni del video, Palazzo delle Papesse, Sienna
Migrations of Energies, Part 1: Clouding Europe
Gandy Gallery, Bratislava
La actualidad revisada (News Revisited)
La Tabacalera, San Sebastian
Leaps of Faith
Nicosia
Norway 2005 – Andre/Others
Sørlandet Art Museum, Kristiansand
The Giving Person
Palazzo Roccella, Napoli
Fear
Artandgallery, Milan
46th October Salon
Belgrade
2004
Cosmopolis1: Microcosmos X Macrocosmos
State Museum of Contemporary Art and Macedonian Museum of Contemporary Art, Thessaloniki
ONUFRI
National Gallery of Arts, Tirana
Passage d’Europe
Musée d’Art Moderne, Saint-Etienne
Basics
EXIT Gallery, Peje
I am here and you are there
GALERIE FÜR ZEITGENÖSSISCHE KUNST, Leipzig
TRADING PLACES
Pump House Gallery, London
HOT DESTINATION/MARGINAL DESTINY
House of Art Brno, Brno
2003
IDENTIKIT
Galeria e Arteve te Kosoves, Pristina
Borderlining
Kunstverein Wolfsburg, Wolfsburg
Balkan Konzulat: Sarajevo
Rotor Gallery, Graz
The Gorges of the Balkans
Kunsthalle Fridericianum, Kassel
Peripheries Become the Center
PRAGUE BIENNALE, Prague
Cultural Territories
GALERIE FÜR ZEITGENÖSSISCHE KUNST, Leipzig
2002
No Border
S. Maria delle Croci, Museo d’Arte della Citta, Ravenna
KUNSTEXPEDITIONEN2002/OSTEUROPA
Sony Center and Art Forum, Berlin
City of Women
International Festival of Contemporary Arts, Ljubljana
The Promised Land
O’ artoteca, Milan
Quattro Venti
Exhibition project in Manciano
Bound/less Borders
traveling billboard exhibition (starting point in Belgrade)
HOME
Collegium Artisticum Gallery, Sarajevo
2001
One Hundred Years of Contemporary Art of Bosnia and Herzegovina
National Gallery of Bosnia and Herzegovina, Sarajevo
The Real, The Desperate, The Absolute
Forum Stadtpark, Steirischer Herbst, Graz
Rendez – Vous Ars Aevi
Sarajevo
Icograda – International Council of Graphic Design Association, Zagreb
26th Youth Salon, Zagreb
Freedom and Violence
Królikarnia Gallery, Warsaw
2000
Tandem Project
DCAC, Signal 66, Washington DC
MANIFESTA 3
European Biennial of Contemporary Art, Ljubljana
What am I doing here?
Galerija Škuc, Ljubljana
1999
SCCA Third Annual Exhibition – Under Construction
Sarajevo Center for Contemporary Art, Sarajevo
Visitors
Galerija Škuc, Ljubljana
Environment on the Eve of the III Millennium
Perejaslavi-Zalesskij
1998
SCCA Second Annual Exhibition – Beyond the Mirror
Sarajevo Center for Contemporary Art, Sarajevo
Arte in Guerra
Palazzo Reale, Napoli
1997
SCCA First Annual Exhibition – Meeting Point
Sarajevo Center for Contemporary Art, Sarajevo
The Suicides (Art Director)
documentary-feature play, directed by Gojko Bijelac
Sarajevo, 2003
Romeo and Juliet (Art Director)
directed by Haris Pašović
Sarajevo, 2002
Opsada kolekcija ‘92-‘95 / The Siege Collection ‘92-’95 (Concept and Direction, with Haris Pašović)
Sarajevo, 2002
Šejla Kamerić. When the Heart Goes Bing Bam Boom. Arter, Istanbul 2015
30 Vite më vonë / 30 Years After, text by Edi Muka, National Gallery of Kosovo, Prishtina 2015
Šejla Kamerić, text by Edi Murka, Galerie Tanja Wagner, Meral Agish (Ed.), Berlin 2011
Two Words / Deux Mots, La Baconnière, Arts, Geneva 2009
Šejla Kamerić, Galerija Moria, Stari Grad 2008
What Do I Know, OK Center for Contemporary Art, Linz 2007
Šejla Kamerić – Bratislava, text by Michal Kolecek, Gandy Gallery, Bratislava 2005
Is it Rain or is it a Hurrican, Ústí nad Labem 2010
Others and Dreams, Portikus, Frankfurt am Main 2004
Protocollum 2015/16 – Global Perspective on Visual Vocabulary, Berlin 2015
Frauen in Krieg und Frieden, 15-45-15, Geschichte, Dokumente, zeitgenössische Kunst, Frauenmuseum, Kunst, Kultur, Forschung e.V., Bonn 2015
Fragile Sense of Hope. Art Collection Telekom at me Collectors Room Berlin, Berlin 2014
SHARE – Too much history, MORE future, A project of the Austrian Federal Chancellery, video edition, Carinthia/Switzerland 2014
Who told you so?! The collective story vs. the indivudual narrative, Freek Lomme (Ed.), Onomatopee 75 Research Project, Eindhoven 2013
Public Diary, Yebisu International Festival for Art & Alternative Visions 2013, Tokyo Metropolitan Museum of Photography, Tokyo 2013
Corporate Collections, Friedrich Georg Conzen jun., Olaf Salié (Eds.): Deutsche Standards Editionen GmbH, Cologne 2012
Roundtable, Gwangju Biennale 2012
How to do things with words, text by Anneka Metzger, in: Christoph Zeller (Ed.): Literarische Experimente: Medien, Kunst, Texte seit 1950, Heidelberg 2012
Malala Human Steps, Istanbul Modern, Istanbul 2012
Art Brussels, Brussel 2012
Dreams of Power, Zamek Culture Centre, Poznan 2011
Šejla Kamerić / Tatiana Lecomte, Camera Austria, Graz 2011
Clothing as a Symbol of Identity, Gradska Galerija, Bihac 2011
squatting. erinnern, vergessen, besetzen, Temporäre Kunsthalle Berlin, Berlin 2010
…on the eastern front, Ludwig Múzeum, Budapest 2010
Die Tür geht nach innen auf., text by Timotheus Vermeulen, Galerie Tanja Wagner, Berlin 2010
Glück happens…, Kunstpalais, Erlangen 2010
Gender Check, MUMOK, Vienna 2009
XVI. Rohkunstbau Atlantis I, Schloß Marquard, Potsdam 2009
close to home, British Council, London 2008
Confini – Boundaries, MAN_Museo d’Arte Provincia di Nuoro, Milano 2007
Kontakt… aus der Sammlung der Erste Bank-Gruppe, MUMOK, Vienna 2006
Art That Works / Catch me!, 46th October Art Salon, Belgrade 2005
Andre / Others, Sorlandets Munstmuseum, Kristiansand 2005
Another Expo – Beyond the Nation-State, Kitakyushu Municipal Museum of Art / White Box NY, Kitakyushu 2005
within alongside and between spaces, Kunstverein Wolfsburg, Doris Berger (Ed.), Wolfsburg 2004
Borderlining, Kunstverein Wolfsburg, Wolfsburg 2003
Meeting Point, Soros Center for Contemporary Arts, Sarajevo 1997
Bremen: Sejla Kameric widmet sich in der Gesellschaft für Aktuelle Kunst Flucht und Nachhaltigkeit by Kreiszeitung, June 2018
Šejla KAMERIĆ über VINCENT VAN GOGHS Zeichnung „SORROW“ by Monopol Magazin, June 2018
Nach dem Skandal by Jan-Paul Koopmann, by taz am Wochenende, June 2018
Es gibt keine Ausreden by Enorm Magazin, 2018
Glück und Trauer by Birgit Sonna by art, May 2016
Šejla Kamerić speaks about her exhibition at Arter in Istanbul by Jurriaan Benschop, by Artforum, January 2016
A fragile sense of hope by Ingo Arend, by Die Tageszeitung, December 2015
Three women artists make statements about killings. A London exhibition shows women are more intuitive in their artistic response to violent crimes, South China Morning Post online, March 7, 2015
Vizuelni dokazi o žrtvama iz BiH by Izložba Forenzika, Al Jazeera Balkans online, February 25, 2015
True crime: the women making art out of murder, The Guardian, February 24, 2015
Šejla Kamerić: U borbi protiv zaborava, Slobodna Bosna online, February 14, 2015
Šejla Kamerić: an artist’s search for Bosnia’s missing by Marek Kohn, Financial Times, January 30, 2015
Manifeste d’un communisme de l’inéquivalence by Jean-Luc Nacy, Marianne – Les textes, Sept. 2014, 53-55
Art Collection Telekom Presents: Sejla Kameric Discusses the Trauma of War Max Dax interviews Šejla Kamerić, Electronic Beats, H 2, 2014
Šejla Kamerić – Umjetnost je moj identitet, in: urban magazin, August 2014
Was bleibt, Morgengrauen: Šejla Kamerić by Claudia Wahjudi, Johannes Wendland, Zitty, 10/2013
Where are you from? by Jurrian Benschop, Kunstbeeld.nl, Nr. 11, 2012
Das Unbehagen by David Lichtenstein, Division Review, Summer 2012
Schatzkammer Deutscher Unternehmer by Tatjana Kimmel-Fichtner, R(h)einkultur, 2/2012
profil, May 14, 2012
Šejla Kamerić & Anri Sala: 1395 Days without Red by Martin Herbert, Camera Austria, 2011
Šejla Kamerić by Jurrian Benschop, Artforum, October 2011
Review: 1395 Days without Red by Douglas Brennan, Ceasefire Magazine, October 2011
1395 Days without Red at the Museu d’ Art Contemporani de Barcelona by Jose Villareel, Artdaily, October 21, 2011
1395 Days without Red by Naima Khan, Spoonfed, August 26, 2011
Now & Beyond by Timotheus Vermeulen, frieze, September 2011
1395 Days without Red, Manchester International Festival, review by Richard Dorment, The Telegraph, July 12, 2011
Manchester international festival: A return to Sarajevo by Adrian Searle, The guardian, July 4, 2011
Krause Knöpfe by Claudia Wahjudi, Der Tagesspiegel, February 26, 2011
Schwarze, weiße Spinnennetze by Ingeborg Ruthe, Berliner Zeitung, No 26, 2011
Die Manipulation des Blickwinkels by Michaela Reichert, Kronenzeitung, January 21, 2011
Šejla Kamerić by Walter Seidl, Camera Austria, 112/2010
The door opens inwards by Timotheus Vermeulen, Notes on metamodernism, November 10, 2010
Traumtänze by Simone Reber, Tagesspiegel, October 9, 2010
Hinter blinden Windschutzscheiben by Anne Katrin Feßler, Der Standard, January 2, 2009
Traum und Trauma, in: Vanity Fair, No 2, 2008
Šejla Kamerić: Sarajevo. Mon amour by Anselm Wagner, Spike, 03/2005
Another Expo – Beyond the Nation-State by Shinya Watanabe, 10+1, Issue 36, October 2004
The Financial Times Magazine, Special Issue No. 48, March 27, 2004
Kunstforum International, Bd. 169, March/April 2004
Der Standard, December 11, 2003
Zarez, September 11, 2003, g.V, br. 111-112
Mladina, 28 / 2003
DANI, BH news magazine, July 11, 2003, br. 317
Start, BH magazine, July 15, 2003, br. 120
Urban BUG, August 2003, Issue 16
Un chantier très ouvert. Un jeu de correspondances by Armelle Héliot, Libération
Nozze etniche, passaporto per l’Ue by Manuela Gandini, Il Sole 24 Ore, June 30, 2002
Šejla Kamerić, or Filling the Unfillable by Nebojša Jovanović, Umelec, 02/2001
Review by Zivot Umjetnosti, Camera Austria, 73/2001
Šejla Kamerić by Nebojša Jovanović, ili ispunjavanje neispunjivog
Just Pass by Lejla Hodžić, annual, 2000
A Roving Show Fixates on Europe’s Border Obsession by Josephine Schmidh, The New York Times, July 27, 2000
Manifesta 3: Diagnosing Europe by Susan Snodgrass, Art in America, No.11, November 2000
Review by Heather Felty, Flash Art, Vol. XXXIII, No. 214, October 2000
Perspektivische Erweiterung by Herwig Holler, Kleine Zeitung, September 6, 2000
Manifesta, passeport pour Ljubljana by Alain Dreyfus, Libération, September 11, 2000