Rememory, as coined by Toni Morrison in her novel Beloved is the theme and title for the 25th edition of the Biennale of Sydney. Expanding from the understanding of memory as ‘information retention with the passing of time’, ‘rememory’ works in the dark, from the residues and amputations of the past. In Morrison’s own context and research, it relates to chronicling African American history and how it upturns what is canonised as American history.