In the works on paper, the threads of day-to-day life ramify into networks of fleeting moments. The surfaces are fabric-like, dyed in ink, cut, and held together with mending tissue. The forms and the way in which language hovers around them, allude to Egyptian wall drawings of weeping women, as well as early medical drawings known as “wound men.” They are produced through a sequence of dance-like movements in which the paper is sliced through, pulled apart, and reassembled. The pieces hang in a tenuous balance, suggestive of both fragility and resilience.