Installed in the New Museum’s Fourth Floor gallery, the exhibition debuts a new body of work that bridges historical research with a site-specific spatial intervention. Invoking both the use of police floodlights in targeted urban areas and the early eighteenth-century New York legal codes known as “lantern laws”—ordinances that required all enslaved individuals over the age of fourteen to carry lanterns or lit candles after dark—Kiwanga’s installation continues the artist’s investigation into disciplinary architectures and complex regimes of visibility. Weaving together different layers of opacity and transparency through textile and sculpture, Off-Grid subverts the application of artificial light as a means of control.