“(…) On view at MIT List Visual Arts Center, Safe Passage considers the long history of American race laws through the broad global lenses of diaspora, colonialism, and surveillance. Thanks in part to her multicultural upbringing — she grew up in working-class Canada and spent time with her father’s family in Tanzania — Kiwanga offers a refreshing multifaceted perspective that, in concert with her sculptures, doesn’t allow us to define our history as an accidental or unique local condition…”