Šejla Kamerić
Critical Urgency in ‘De-Heimatize It’!
by Faye Campbell
Nov 5, 2019

“[…] Above the grandiose columns and the front doors of the Palais am Festungsgraben, next to the Maxim Gorki Theater in Mitte, hangs a large poster with a young woman defiantly staring down on you. Emblazoned over her in an enormous sharpie-scrawl are the phrases: “NO TEETH…? A MOUSTACHE…? SMEL LIKE SHIT…? BOSNIAN GIRL”. The woman pictured is the artist herself, Šejla Kamerić, the words overtop of her left by Dutch ‘peacekeepers’ on the walls of barracks just outside of Srebrenica in 1994 or 1995, around the time of the Srebenica genocide of more than 8,000 Bosniaks during the Bosnian War. The work is in stark contrast with the neo-classicist building, which evokes histories of palpable hierarchies. Kamerić’s powerful piece, titled ‘Bosnian Girl’, is emblematic of ‘De-Heimatize It!’, as it unsettles our ingrained expectations of what lies within an institutional space such as this one. Within the multiple floors of the Palais am Festungsgraben, the artists act like moss, they dig through the cement of the architecture, destabilizing the historical foundation of the institution. […]”

Šejla Kamerić
Artist Talk
Kunsthaus Dresden
May 22, 2022
Šejla Kamerić
Group exhibition curated by Yolandé Gouws & Vanja Žanko
Kühlhaus, Berlin
May 22, 2022 – May
Šejla Kamerić
Politics in Art
Group exhibition curated by Agnieszka Sachar
MOCAK Museum of Contemporary Art in Krakow, Krakow
Apr 28 – Apr 25, 2022
Šejla Kamerić
Group exhibition curated by Marta Smolińska
Galerie Nord, Berlin
Apr 13 – Apr 28, 2022