“It soon became clear to Sejla Kamerić how big her work, Ab Uno Disce Omne (From One, Learn All), would become. Commissioned by the Wellcome Collection for its new exhibition Forensics: The Anatomy of Crime, the Bosnian artist – whose previous work has tried to make sense of the war that started when she was a teenager and killed her father – took on something huge. She describes it as a monument, but one made of data, not stone, and just as permanent…”