»Zum Einstieg hier ein Zitat. Sant sita vellest optas volorenat quibus alutiam.«
— Annabel Daou
»Zum Einstieg hier ein Zitat. Sant sita vellest optas volorenat quibus alutiam.«
— Annabel Daou
Annabel Daou’s work takes place at the intersection of writing, speech, and non-verbal modes of communication. Her paper- and tape-based constructions, sound pieces, and performances explore the language of power, intimacy, and self-encounter. Among her interests is our intangible relationship to time and presence.
Daou’s work is often constructed out of lightweight, seemingly ephemeral materials that both indicate and resist a sense of objecthood. Her performances and sound pieces frequently involve interactions with random strangers and the process of asking questions and recording or transcribing the answers.
Born in Beirut, Lebanon
Lives and works in New York
2019
Pollock-Krasner ISCP Residency in New York
2011
CentralTrak in Dallas
2010
Biennial Award at Cairo Biennale
2008
Brown Foundation Fellows Residency
Dora Maar House (MFAH), Ménerbes
2002 – 2007
Elizabeth Foundation for the Arts Studio Center Residency in New York
2024
War Games
Galerie Tanja Wagner, Berlin
2022
Only If
signs and symbols, New York
Gods and Grifters
Conduit Gallery, Dallas, TX
Global Spotlight: Annabel Daou
Arlington Arts Center, Virginia
Declaration
The Grace Memorial Chapel on Campus, Ulrich Museum, Wichita State University, Kansas
2021
A Year Like Any Other
Galerie Tanja Wagner, Berlin
I will worry for you (from dusk till dawn)
School, Vienna
2020
chou hayda
Signs and Symbols, New York
ask me a question that has no answer,
Online exhibition, Signs and Symbols, New York
WHEN IN THE COURSE OF HUMAN EVENTS
Online exhibition, Signs and Symbols, New York
I will worry for you (from dusk till dawn)
The Lobby, New York
2019
Fortune
Spring Open Studios, New York
Fortune
Signs and Symbols, New York
2018
if you only knew
Galerie Tanja Wagner, Berlin
Chou Hayda? an audio guide project
by Annabel Daou and the people of Beirut
The Beirut Museum of Art, Beirut
life itself
Conduit Gallery, Dallas
2017
Fortune
Leila Heller Gallery, New York
Fortune
Showroom in the Orchard Street, New York
2016
I don’t care about your body
Galerie Tanja Wagner, Berlin
2015
a million times
Albertz Benda, New York
2014
your secret is safe with me
Galerie Tanja Wagner, Berlin
Measure
Conduit Gallery, Dallas
‘Meanwhile…History’, performance
Art Dubai‘s Global Art Forum, Dubai
2012
come back to the war
Galerie Tanja Wagner, Berlin
2010
repaired landscapes
Conduit Gallery, Dallas
2009
knot
David Winton Bell Art Gallery, Brown University, Providence
2007
Sex & Politics
Conduit Gallery, Dallas
a book of hours
Gallery Joe, Philadelphia
2006
AMERICA
Josee Bienvenu Gallery, New York
2005
ideas about the thing and the thing itself
Gallery Joe, Philadelphia
2004
The Last Painting Show
Conduit Gallery, Dallas
2002
Striptease
installation at the EFA Studio Center, New York
2001
slipping
Conduit Gallery, Dallas
1999
a million years
Conduit Gallery, Dallas
1997
Fleshpots
Entwistle Gallery, London
Dissolve
Rachel Harris Gallery, Fort Worth
1995
20th Century Fiction
Rachel Harris Gallery, Fort Worth
2023
Cut
Haus des Papiers, Berlin
THE DELICATE THINGS THAT GIRLS DO
signs and symbols, New York
False Friend
Parent Company, Brooklyn
Vidéothèque
Galerie Tanja Wagner
2022
In search of…the miraculous
DG Kunstraum, Munich
2021
Works on Paper
Galerie Tanja Wagner
Trauma and Response
UTSA Art Gallery, San Antonio, TX
signs and symbols: artist and allies IV
signs and symbols, New York
2020
On Celestial Bodies
Arter, Istanbul
HOW TO HUMAN
Galerie Tanja Wagner, Berlin
Spring of 2020
Galerie Tanja Wagner, Berlin
Dissolving Artifacts
Studio 200, New York
Rituals of Regard and Recollection,
Law Warschaw Gallery, St. Paul, MN
2019
After Europe
Sophiensaele, Berlin
Reclaiming Our Time
Milwaukee Institute of Art and Design (MIAD), Milwaukee
The Naked Truth. A European history.
Rijksmuseum Twenthe, Enschede
Living Room UIT (Use it together)
iscp – International Studio & Curatorial Program, New York
2018
Privacy in Public
Metropolitan New York Library Council, New York
The Queens English: Who Owns It?
City Lore, New York
2017
Fünfter Akt
Trabanten, Düsseldorf
Walk the Distance and Slow Down
Boulder Museum of Contemporary Art, Colorado
LEARNING FROM BIG MISTAKES
Galerie Tanja Wagner, New York
2016
Acts of Sedition
WhiteBox, New York
Stages of Trust
Galerie Zimmermann Kratochwill, Graz
The Big Other
Galerie Tanja Wagner, Berlin
White Cube…Literally. On Form and convention of display
Gallery Isabelle van den Eynde, Dubai
2015
What We Call Love: From Surrealism To Now
Irish Museum of Modern Art, Dublin
HeartLand
Beirut Exhibition Center
2014
Wicked Problem
EFA Project Space, New York City
Art=Text=Art: Works by Contemporary Artists
UB Anderson Gallery, University at Buffalo, New York
EGO EDITIONS
Galerie Tanja Wagner, Berlin
Simply Drawn: Gifts to the Columbus Museum from the Collection of Wynn Kramarsky
Columbus Museum, Columbus
2013
Marking Language
Drawing Room, London
Art=Text=Art: Drawings, prints, and artists’ books from the Sally and Wynn Kramarsky Collection
The Hafnarfjordur Centre of Culture and Fine Art, Hafnarfjörður
The Emo Show
Elizabeth Foundation for the Arts, New York
40/40
A.I.R. GALLERY, New York
Sunday Sessions hosted by Nikolaus Hirsch & Markus Miessen / fortune
PS1, New York
2012
Art=Text=Art: Works by Contemporary Artists
Zimmerli Art Museum, New Brunswick
Discussing Metamodernism
Galerie Tanja Wagner, Berlin
2011
Beyond The Chaos Between Intelligence And Beauty
Osart Gallery, Milan
Art=Text=Art
University of Richmond Museums, Richmond, Virginia
Drawn / Taped / Burned: Abstraction on Paper
Katonah Museum of Art, Katonah
states of ruin
Free Museum of Dallas, Dallas
2010
Cairo Biennale (representing the US)
New York Chronicles
Virginia Commonwealth University, Doha
On the Mark: Contemporary Works on Paper
The Baltimore Museum of Art, Baltimore
First Supper
Josee Bienvenu Gallery, New York
2009
Close Encounters 2
Nathan Cummings Foundation, New York / Denison Museum, Granville
Nature/Nation
Museum On The Seam, Jerusalem
On, Of or About: 50 paper works
Texas State University, San Marco
Microwave 7
Judi Rotenberg Gallery, Boston
Curvilinear
Gallery Joe, Philadelphia
New York New Drawings 1946-2007
Museo de Arte Contemporaneo Esteban Vicente, Segovia
2008
Political/Minimal
KW Institute for Contemporary Art, Berlin / Muzeum Sztuki w Łodzi, Lodz (2009)
Indexing the Moment
CADD Artlab, Dallas
Democracy in America
The Park Avenue Armory, New York
Abecedarium for Our Times
apexart, New York
Homebase III
New York
Indexical Frontiers
Inova, University of Wisconsin-Milwaukee, Milwaukee
2007
Text Messages
Adam Baumgold Gallery, New York
Monumental Drawings
Blue Star Contemporary Art Center, San Antonio
2006
Drawn Twice
The Tang Museum, Saratoga Springs
Double Exposure
Makor Gallery, New York
Gridlock
Gallery Joe, Philadelphia
Under Construction
SICA, Long Branch
Featured Artist
ArteEast Virtual Gallery
2005
Ruined Cities, installation/sound project
EFA Studio Center, New York
The Dreamland Artist’s Club
Coney Island
1996
neXXt metroplex- Artists in their twenties
The MAC, Dallas
1995
Six Painters
Purdy Hicks Gallery, London
The Book as Object in Art
Wifredo Lam Center, Havana
1994
Quinta Bienal de La Habana (The Fifth Biennial of Havana)
Havana
2010
We Are Not an Arab Artist, New York Chronicles
Virginia Commonwealth University, Doha
2009
Home Base IV
New York
CAFÉ
Phillips Collection, Washington
2008
i prefer not
The Park Avenue Armory, New York
Disarmory
Mulberry, New York
2007
aporia:aporia
Los Angeles Contemporary Exhibitions, Los Angeles
2006
aporia
EFA Gallery, New York
On celestial bodies, Kevser Güler, Süreyyya Evren (eds.) 2021
Scott Sherer, Trauma and Response, UTSA, 2021
What We Call Love. From Surrealism to now, Christine Macel, Rachael Thomas (Eds.),
Irish Museum of Modern Art, Dublin 2015
Contemporary Drawing – from the 1960s to Now, Katherine Stout (Ed.),
Tate Publishing 2014
Marking Language, texts by Kate Macfarlane and Melissa Gronlund, Drawing Room London,
London 2013
Transmission Annual | Provocation: Sex and Politics Revisited: Collaboration as Counter-Apparatus, Annabel Daou and David Markus, Artwords Press, London 2012
Twice Drawn: Modern and Contemporary Drawings in Contex, Tang Teaching Museum, Ian Berry/Jack Shear (Ed.), New York 2011
Orienteering, gallery guide for XII International Cairo Biennale, Ranya Husami (Ed.), Cairo 2010
12th Cairo International Biennale Catalog, Cairo 2010
Art, Word and Image: 2,000 Years of Textual/Visual Interaction, Reaktion Books, University of Chicago Press, Michael Corris, et al (Ed.), Chicago 2010
Knot, with David Markus, David Winton Bell Gallery, Brown University, text by Vesela Sretenovic, Providence 2009
Close Encounters 2, Nathan Cummings Foundation, Provisions Library, New York 2009
Contemporary Art in the Middle East, Paul Sloman (Ed.), London 2009
Nature/Nation, Museum On The Seam, Einat Manoff (Ed.), Jerusalem 2009
New York New Drawings 1946-2007, Museo de Arte Contemporaneo Esteban Vicente, Segovia 2009
the gun is cocked, in: Gagarin 18, Wilfried Huet (Ed.), Antwerp 2008
A Guide to Democracy in America, Nato Thompson (Ed.), New York 2008
Political/Minimal, KW Institute for Contemporary Art Berlin, Klaus Biesenbach (Ed.), Nürnberg 2008
Arte-Sociedad-Reflexion, Havana Biennial Catalogue, Lourdes Castillo (Ed.), Havanna 1994
The Crisis of Crisis. Ideology & Marginality, Atlantica International, Figueroa Valdes, 1994
William Kherbek, Berlin Gallery Weekend 2021: Stalked by Melancholia and Lamentation, Flash Art
Hanno Hauenstein, Gallery Weekend 2021: The ten must-see highlights, Berliner Zeitung
ASK ME A QUESTION THAT HAS NO ANSWER, This Is Not A Rehearsal, Canvas Magazine, 2020
Gabriella Angeleti, Annabel Daou will take on your worries, The Art Newspaper, 2020
Wendy Vogel, Annabel Daou at signs and symbols, Artforum, 2020
Asha Sheshadri, Multi-Vocal, Canvas Magazine, 2020
Benjamin Lima, Folio, Athenaeum Review, Fall/Winter 2020
Jimenez Lai, Between Irony And Sincerity, Log 46 (Summer) 2019
Barbara MacAdam, Vasari Diary: The Poetic Politics of Stefana McClure and Annabel Daou, and James Ivory Interprets Vermeer, ARTnews, 2020
Léa Polverini, Annabel Daou déchire et répare…, L’Orient Le Jour 2019
Kevin Jones, Art Publics, Canvas Magazine 2018
Chou Hayda?:Les antiquités du Liban racontées par ses habitants, Agenda Culturel 2018
Maghie Ghali, New Mathaf Guide Questions History, The Daily Star 2018
The Lantern: Revisiting america: Annabel Daou’s The Declaration of Causes and Necessity of Taking Up Arms, January 2017
Q & A: Annabel Daou by Rafael Soldi, Strange Fire , November 24, 2016
Brühwürfel der Energie/Drawing – Concentrated Energy by Christiane Meixner, tipBerlin/zitty, Berlin Art | Kunst, 2015/16
X marks the spot by Laura van Straaten, Aïshti, December 2015/January 2016
Heartland-Territoire d’affects. Une terre d’amour et de désamour by L’Hebdo Magazine, November 2015
Zwischen Besitzen und Begehren by Ingeborg Ruthe, Berliner Zeitung, May 2014
Intuition and capacity for flight by Thomas W. Kuhn, artmagazine, May 2014
Een verlangen naar oprechtheid – Het nieuwe tijdperk: metamodernisme (A Desire for Honesty – The New Age: Metamodernism) by Timotheus Vermeulen & Robin van den Akker, De Groene Ansterdammer, September 2013
Notes On Metamodernism by Timotheus Vermeulen, June 19, 2012
Josée Bienvenu by Barbara A. MacAdam, ARTnews, May 2012
Von hier nach nirgendwo by Thomas W. Kuhn, Der Tagesspiegel, February 11, 2012
Marie-Adele Moniot, in: Artlies, Issue 63, 2009
Blake Gopnik, in: Washington Post, June 7, 2009
Melena Ryzik, in: New York Times, May 10, 2009
Danielle O’Steen, in: Express Night Out, Washington DC, May 7, 2009
Karen Schiff, in: The Brooklyn Rail, May 2009
Cate McQuaid, in: The Boston Globe, April 15, 2009
Greg Cook, in: The Phoenix, February 4, 2009
Bill van Siclen, in: The Providence Journal, January 29, 2009
Irmgard Berner, in: Berliner Zeitung, December 9, 2008
Michelle Grabner, Critics’ Picks, in: Artforum, May 2008
Charissa Terranova, in: ARTNews, April, 2008
Lost in Transliteration by Koan Jeff Baysa, Ctrl + Pdf – Journal of Contemporary Art, March 2008
Kevin Bouchard, Annabel Daou & Stephen Lapthisophon – Conduit Gallery, in: Art Lies, Issue 57, 2008
Jesse Hughey, in: Dallas Observer, November 4, 2007
Laura Seewoester, in: Pegasus News, October 30, 2007
Charissa Terranova, in: Dallas Morning News, October 25, 2007
Christopher Russell, in: artUS, Issue 20, 2007
Holly Myers, in: Los Angeles Times, July 20, 2007
Dan Goddard, in: San Antonio Express-News, April 25, 2007
Elaine Wolff, in: San Antonio Current, April 10, 2007
Barbara A. MacAdam, in: The New Abstraction| ARTnews, April 2007
Roberta Fallon, in: Philadelphia Weekly, January 17, 2007
Edith Newhall, in: Philadelphia Inquirer, January 12, 2007
Block Magazine #04, ruined cities, Israel, 2007
Roberta Fallon, in: Artblog, December 24, 2006
David Markus, in: The Brooklyn Rail, May 2006
Elisabeth Kley, in: Time Out, New York, April 20-26, 2006
Edward Sozanski, in: Philadelphia Inquirer, May 6, 2005
Roberta Fallon, in: Philadelphia Weekly, April 13, 2005
Roberta Fallon, in: Artblog, March 31, 2005
Charissa Terranova, in: Dallas Observer, September 30, 2004
Charles Dee Mitchell, in: Dallas Morning News, Texas, May 29, 2002
Mike Daniels, in: Dallas Morning News, Texas, May 11, 2002
Shelly Grimes, in: D Magazine, April 2001
Nour Al-Jarah, Al-Mushahid Assiyasi, October – November 1997
Richard Reynolds, in: Flash Art International, New York, October 1997
N Abu Hamad, Al Hawadeth, October 3-9, 1997
Sue Hubbard, in: Time Out, London, September 24 – October 1, 1997
T Zag, in: Al Hayat (Arabic daily newspaper), London, September 17, 1997
Mike Daniels, in: Dallas Morning News, Texas, June 27, 1997
Suzanne Aktar, in: Fort Worth Star Telegram, Texas, June 22, 1997
Susan Platt, in: Art Papers, Seattle, July – August 1996
Wade Wilson, in: Fort Worth Star Telegram, Texas, April 7, 1996
Wade Wilson, in: Fort Worth Star Telegram, Texas, October 1, 1995